Modern linguistics tends to drift from binary oppositions towards
constructing more complicated models, accounting situations of intercultural
transfer, cross discourse and cross language interference. Taking into consideration
new objects, such as poetry in “dormant” languages (in our research – Hebrew
poetry, III–XIX cent. AD) causes to reconceive the common opposition
“oral – written”. A “dormant” we call a language which is not used for spontaneous
oral communication, but is widely employed for creating new written
texts and for transmitting old texts, primarily oral ones.
Meaning of the parameter “oral” regarding to poetry in an unspoken language
is different from that in a spoken one. In the latter, as oral texts are usually
regarded non-written ones, resulting from spontaneous communication,
whereas for an unspoken language spontaneous communication is not typical. Nevertheless, reading in “dormant” languages was more oral technically (texts
were usually uttered).
“Dormant” language has no oral poetry in its tradition form. Poetry
in “dormant” languages can often be voiced, but it never has features of oral
poetry (formulas, compulsory instability and variability, illiterate addressees).
Nevertheless, some traits of oral functioning of poetry in “dormant” languages
can be detected. For one thing, these are remnants of the author’s voicing
the texts, his / her inner dictation (rhythmic deviations, caused by cross language
interference, first of all by influence of local vernacular languages). For
the other thing, these are evidences for poetic recitals. Foremost, religious poetry
was recited, and its reception required double encoding and decoding of the
message (processing a voiced text into imagined written signs and back).
The extent to which the poetic discourse in the “dormant” language is oral
depends also on the language and cultural situation in the society, and on the
extent to which the poetry in the local language enjoying a high status is oral.
We regard the opposition of “oral-written” as a ternary one (written – voiced –
oral). In case of an alive spoken language in all these three spheres one language
is used, whereas an unspoken functions in complementary distribution with an
alive vernacular language: a “dormant” language is employed in the realms
of “written” and “voiced”, when a vernacular one – in the realm of “oral”.
Azarova N. M. Saund kak medijnyj parametr pojezii // Brikovskij sbornik.
M.: MGUP im. I. Fedorova, 2014. Vyp. 2: Metodologija i praktika russkogo
formalizma. S. 38–45.
Alpatov V. M. Japonija: jazyk i obshhestvo. M.: Muravej, 2003.
Poljan A. L. Ivrit III–XIX vv. n. je. kak «spjashhij jazyk» // Voprosy jazykoznanija. 2014. № 5. S. 56–67.
Rozental' D. Je., Telenkova M. A. Slovar'-spravochnik lingvisticheskih
terminov. M.: Prosveshhenie, 1976.
Russkij jazyk: Jenciklopedija / Gl. red. Ju. N. Karaulov. 2-e izd., pererab. i dop. M.: Bol'shaja rossijskaja jenciklopedija; Drofa, 2008.
Stepanov Ju. S. Izmenchivyj «obraz jazyka» v nauke XX v. // Jazyk i nauka
konca XX veka. M., 1995. S. 7–34.
Stepanov Ju. S. Koncepty. Tonkaja plenka civilizacii. M.: Akademicheskij
proekt, 2001.
Stepanov Ju. S. V trehmernom prostranstve jazyka. 2-e izd. M., 2010.
Stilisticheskij jenciklopedicheskij slovar' russkogo jazyka / Gl. red.
M. N. Kozhina. M.: Flinta, 2003.
Tynjanov Ju. N. Problema stihotvornogo jazyka. M., 2002.
Ali S. M. Arabic Literary Salons in the Islamic Middle Ages. Poetry, Public
Performance, and the Presentation of the Past. University of Notre Dame Press,
2010.
Bregman D. Sharsheret ha-zahav. Ha-sonet ha-‘ivri le-dorotav. TA, Haqibbuts
ha-meuxad, 2000.
Elior R. ‘ivrit mi-kol ha-‘avarim // Y. Benziman (ed.). Leshon rabim: ha-
‘ivrit ki-sefat tarbut. Jerusalem, 2013. P. 43–72.
Finnegan R. Oral poetry: its nature, significance, and social context. Indiana University Press, 1977.
Fishman J. A. The Sociology of Language: An Interdisciplinary Social Science
Approach to Language in Society // Advances of Sociology of Language.
Paris, 1971. Vol. 1. P. 304–305.
Fleischer E. Shirat ha-qodesh ha-‘ivrit bime-ha-benayim. Jerusalem, 1975.
Foley J. M. Plentitude and Diversity: Interactions between Orality and Writing // The Interface of Orality and Writing. Speaking, Seeing, Writing in the Shaping of New Genres. Ed. by Annette Weissenrieder and Robert B. Coote.
Tuebingen: Mohr Siebeck, 2010. P. 103–118.
Goody J. The Interface Between the Written and the Oral. Cambridge University
Press, 1987.
Goody J. Myth, Ritual and the Oral. Cambridge University Press, 2010.
Lord A. B. Singer of Tales. Cembridge, MA: Harvard University Press,
1960.
Miller R. Oral Tradition in Ancient Israel. Cascade Books, 2011.
Mostert M. Latin Learning and Learning Latin: Knowledge Transfer and
Literacy in the European Middle Ages // Theory and Practice of Knowledge
Transfer. Studies in School Education and the Ancient Near East and Beyond.
Papers Read at a Symposium in Leiden, 17–19 December 2008. Ed. by W. S.
van Egmond, W. H. van Soldt. Leiden, 2012. P. 25–38.
Ong W. Orality and Literacy: The Technologizing of the World. Routledge,
1982.
Opland J. Anglo-Saxon Oral poetry. Yale University Press, 1980.
Parry A. (ed.). The Making of Homeric Verse: the Collected Papers
of Milman Parry. Oxford: Clarendon Press, 1971.
Scholz M. G. Hören und Lesen. Studien zur primären Rezeption der Literatur
im 12. und 13. Jahrhundert. Wiesbaden, 1980.
Segal M. New Sound in Hebrew Poetry: Poetics, Politics, Accent. Indiana
University, 2010.
Weinreich M. Yiddishkayt and Yiddish: on the Impact of Religion on Language
in Ashkenazic Jewry // Readings in the Sociology of Language / Ed.
by J. A. Fishman. Paris, 1970. P. 382–414.
Wachs D. A. The Performativity of Ibn Al-Muqaffa’s Kalīla wa-Dimna and
Al-Maqāmāt Al-Luzūmiyya of Al-Saraqusţī // Journal of Arabic Literature,
XXXIV, 1–2. Leiden: Koninklijke Brill NV, 2003. P. 178–189.
The Interface of Orality and Writing. Speaking, Seeing, Writing in the Shaping of New Genres. Ed. by Annette Weissenrieder and Robert B. Coote.
Tuebingen: Mohr Siebeck, 2010. P. 103–118.
Yahalom Y. Sefat ha-shir shel ha-piyyut ha-erets-isreeli ha-qadom. Jerusalem,
1985.
Yevin I. Ofyah shel leshon ha-piyyut // Mexqarim ba-lashon ha-‘ivrit u-vileshonot ha-yehudim muggashim li-Shelomo Morag. Ed. by Moshe Bar-Asher.
Jerusalem: Mosad Bialiq, 1996. P. 105–118.
Zumthor P. Oral Poetry: An Introduction. University of Minnesota Press,
1990.
opposition // Критика и семиотика. 2015. № 2. Pp. 251–268.