We know that poets (especially lately) in their poetic practice often
use linguistic and linguopoetic terms not only to reproduce the process of text
generating but also to reveal the internal themes of the poems. In this sense,
textual and metatextual components of their texts come into close contact causing
heterogeneity of the text itself. The structure of the text becomes dynamic,
and linguistic and linguopoetic terms lose their certainty and follow internal
logic of the imagery. The article examines how these terms are transformed into
a poetic text, actualizing their ability to «split reference», and at the same time
they are subject to determinologization engaging in language game. This means
that entering the literary text they undergo interdiscursive transfer: obeying the
poetic function of language they transform their metalinguistic status by subjection
to the laws of text’s coherence.
irjukov S. [rec.] Bubnov A. V. Tipologija palindroma // Novoe literaturnoe
obozrenie. 1996. № 19. S. 396.
transfer // Критика и семиотика. 2015. № 2. Pp. 282–298.