The dramatic conflict between artist and power, which has become in the Russian cultural tradition an orienting factor in the understanding of what art is itself and what its real problems are in the years of the Soviet state formation takes the value of «absolute power» that can affect both – the change
of rhetorical rules, and the chosen forms of behavior in the socio-cultural
environment. Exactly at that time the problem of «biography» and the principles
of its inclusion into a totally ideological context of the era, appear to be
an experimental field for the theories and practices of formalist origin. Viktor
Shklovsky and Boris Eihenbaum, preferring «biography» to science, were
involved in the historical distruction, in which the exit «from one’s own
preserved word» demanded a victim of incomparably larger scale. Tynianov
outlook at the literary process excluded the transition to «foreign» lands, be it policy, «biography» or any another exorbitant literature phenomena. These and
other categories could be available, being seen «through literature». Particular
attention was given to Lenin\s issue of the journal «LEF», published immediately after the death of the Revolution leader, and in particular in the
Tynianov’s article «The Vocabulary of Lenin the Polemicist». Tynyanov wrote
about the «revolution» of Lenin\s speech structures, suggesting the already
accomplished language destruction, associated with the idea of simplifying the
form as the aesthetic time dominant. Tynianov’s not being inclined to any
ideology was an obvious means of aesthetic manipulation, allowing to eliminate
the available existence as indispensable fact of social and ideological resistance.
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Neizvestnyiy V. Ya. Propp. Drevo zhizni. Dnevnik starosti. Perepiska [Unknown
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