and cultural transfer issues
The paper analyzes multi-format subject design in contemporary
Chinese poetry in the works of those authors who have played a significant role
in the development of contemporary verse’s new poetics, such as Xi Chuan,
Yu Jian, Wang Jiaxin, Han Dong, Sun Wenbo and others. What seems important
for their texts’ subject organization is the reception – not only of foreign-
language traditions, but also of the autochthonous tradition of classical
verse. A poet’s separation from this tradition in the XX–XXI centuries leads
to interaction with classical verse in the form of cultural transfer. A number
of classical features ("hidden" poetic subject, ambiguity-exploiting strategies,
internalization of reality) is translated into complex subject-object models
of contemporary authors who problematize the structure of poetic subject and
the language means of its expression.
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