Culture as a Transition / Translation. “Heavenly Animal” by Vera Pavlova

Culture as a Transition / Translation. “Heavenly Animal” by Vera Pavlova
Авторы (текстом)
R. Grübel
Institute of Slavonic Studies University of Oldenburg, Germany
Abstract

The article considers Vera Pavlova’s collection of poems “The
Heavenly Animal” as an example for two processes of the formation of culture
in recent Russian history: transition, i.e. changes of the poetic subject in its
cultural context and translation, i.e. changes of what the poem is talking about
and how it does it. Against the background of two different concepts of the
emergence of culture, Freud’s model of sublimation, that is, abstinence from
sexual activity in favor of spiritual activity and the opposing model of Rozanov
with equal physical and mental creative activity, it is shown that Pavlova’s verse
practice is much closer to Rozanov’s concept. With the help of these concepts,
examples from the mentioned collection by Pavlova are investigated and it is
shown how its poetic subject changes itself in the process of cultural transition
and how it changes objects and methods of organizing its text. Transitions /
translations are considered in relation to different ethnic cultures, gender rela-
tions, axiologies, and (for example, religious and aesthetic) functions of texts
and at the end also into the apophatic culture.

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Bibliographic reference
R. Grübel Culture as a Transition / Translation. “Heavenly Animal” by Vera Pavlova // Критика и семиотика. 2019. № 1. Pp. 10–25. DOI: 10.25205/2307-1737-2019-1-10-25.