The article is devoted to the problem of description of the verse rhythm. According to our conception the verse rhythm realizes the connection with metric scheme and simultaneously resists it. The high degree of this resistance
determinates the innovator mastership of verse. The verses lose system characters and become the risoma (as it is understood by Deleuse and Guattari).
In spite of the risoma characters the poetry of XXI century the single examples
may be discovered in poetry of XVIII–XX centuries.
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