Issue 2, 2017 Yu. N. ChumakovAsemantic Aspect of a Text: Boris Pasternak’s “Poetry” E. I. KhudoshinaYu. N. Chumakov’s Verse Theory Yu. V. ShatinYu. N. Chumakov and Russian versicle novel A. А. Hansen-LöveThe Russian Acropolis – About logocentrism between symbolism and avant-garde L. A. KhodanenArtistic semantics of the image of Mary and the story polyphony of «Feast during the plague» by A. Pushkin E. N. Penskaya«Well, wait a bit!» Approaching to one guess of Yury Chumakov T. I. PecherskayaDostoyevsky’s pawn: three thousand at the novel «Crime and Punishment» E. N. Proskurina«Funny» characters by Dostoyevsky in A. Platonov’s artistic reception N. V. NalegachThe creative refraction of Pushkin\s motif of poetic immortality in the dialogic «reflection poetics» of I. Annensky E. Yu. KulikovaAbout magistral and marginal ways of Russian poetry: Nikolay Gumilev and Pavel Bulygin’s «alien stars» I. E. LoshchilovSemyon Kirsanov’s poem «Mary-rider» (1925): the Name of Hero, the Plot and Zaum’ (Nonsense) G. A. ZhilichevaThe Reception of Pushkin’s Literary Tradition in Yuri Olesha’s Works N. O. Laskina“Chopin, sea of tears…”: around a poem by Marcel Proust M. CostantiniVenexia, Constantinoupolis, Konstantiniyye: enchevêtrements, ajustements, hybridations I. V. DeminSubstantiation of the cultural-semiotic approach to history in Ernst Kassirer’s philosophy Yu. A. Asoyan«Courage of truth» and «care of the self» Foucault (objection Lorenzo Bernini) E. A. Deyneka«Poetics of philosophy», or Henri Meschonnic’s Anti-Heidegger V. A. KonevUmberto Eco: the Poetics of Joyce and the Transformation of the Type of Culture O. V. SokolovaImages of Language in Manifestos of the Italian, Russian and American Avant-garde T. S. SimyanTowards the Understanding of the Concepts of «Modernity», «Modernism» and «Avant-garde» in (Post) Soviet and German Study of Literature (An Attempt of Terminological Unification) M. Yu. MartynovDiscursive interaction as the basis of anarchist symbols (in the example of the symbol «circle-A»)
