Issue 1, 2018 I. E. LoshchilovTwo notes on the poetics of Marina Tsvetaeva R. S. VoitekhovichOn the Russian bezmernost’ of Tsvetaeva and Transmarine bezbrezhnost’ of Balmont O. A. SkripovaThe Leader Image in M. Tsvetaeva’s Autobiographical Myth (On the Basis of the Poem «On the Red Horse» and the Essay «Devil») N. V. Barkovskaya«Word Unusual – an Old Woman...»: About One Mythologeme in M. Tsvetaeva’s Lyrics N. V. ProdanikThe Image of the Modernist Reader in Russian Painting and Early Lyrics by M. Tsvetaeva S. A. Akhmadeeva«Foreign» (Quotes, Allusions and Reminiscences) as «Ours», and «Ours» (Self-Quotes and Self-Reminiscences) as «Foreign» in Marina Tsvetaeva’s Letters and Diary Texts S. Yu. Kornienko«Boris Savinkov Is My Brother»: The Poetics of Courtroom Procedure and Marina Tsveataeva’s Author’s Projections T. I. PodkorytovaThe Variations of Archaic Plot about Calling the Singer at the End of Mousikē Tradition («Ballada» by Vl. Khodasevich and Poem «Na Krasnom Kone» by M. Tsvetaeva) N. O. LaskinaMarina Tsvetaeva and Anna de Noailles: The Possibilities of Dialogue A. V. Podvornaya«Roses of Tadema» (Alma-Tadema Lawrence in the Artistic Reception of I. Annensky) V. V. MaroshiLyrical Rite of Self-Immolation in Russian Symbolist Theurgy K. V. AnisimovBunin and the Tolstoy’s Paradigm of «Master and Man»: The «Snowstorm (Con)text» of the Philosophy of Subject L. V. MashtakovaThe Three Philosophical and Critical Books by Vyacheslav Ivanov as the Artistic Unity and the Cultural and Philosophical Manifesto A. E. MoskalevaHarlequin and Pierrot in the Works of Rainer Maria Rilke G. A. ZhilichevaTheatralisation of the Narrative in Post-Symbolist Novels
