Issue 1, 2021 O. A. RadchenkoMetacriticism in Yu. S. Stepanov’s Language Philosophy V. Z. DemyankovOn Eternal Value of Ideas in Their Momentary Actuality V. I. KarasikOn Philological Thinking S. T. ZolyanSemiopoesis: Formation of Meaning in Molecular Genetics and Biosemiotics V. V. FeshchenkoIn the Three-Dimensional Space of Linguistic Theory and Literary Experiment V. I. ZabotkinaLanguage and Culture: Within the Four Dimensions M. I. KioseYu. S. Stepanov’s Method of Ascension and Cognitive-Semiotic Dimensions of Optimal Linguistic Creativity T. B. RadbilActive Processes in the Syntax of Modern Russian Speech in the Aspect of Linguo-Semiotic and Linguo-Cognitive Interpretation T. E. YankoThe Meaning of Pluperfect: Lexical and Grammatical Semantics M. L. KovshovaSemantics of Adjective <i>radostny</i> and Conceptualization of the Emotional Evaluation O. G. RevzinaDream and Fiction D. I. Ivanov, D. L. LakerbaiBetween “Scyllae” and “Charybdae”, or Theory’s Attempt in the Era of Research Practices N. N. ShpilnayaSignifier as Signified: Predictive Concept of Semiosis of the Phonetic Plan of Speech I. V. VysotskayaThe Expansion of the Preposition <i>pro</i> in Modern Russian Speech, or The Latest Russian Rhetoric L. E. MuravievaAffective Narratology: The Representation of Anxiety in Fictional Narrative O. N. Kuptsova, E. K. SozinaChekhov’s Plays as the Basis of Metatheatral Performances in the 2010s E. N. Proskurina, P. V. Proskurina-YanovichMarina Tsvetaeva and Anatoly Steiger: A Novel in Letters (Reconstruction Attempt) E. B. Kryukova, O. A. KovalThe Literary Madness: Language as an Indicator of Insanity in the Fiction of the 20th Century (1920s) F. V. Kuvshinov“Hidden” Anecdote: About the “Historical Episode” by D. I. Kharms G. D. DrobininOur Own Personal Jesus, or Phenomenon of “Walks on Water” by I. Kormiltsev T. S. Simyan“Russian” and “Soviet” Plot in the Literary Works of Yoko Tavada S. A. OgudovNarrative Distance in Screenplay: “The Heir to Genghis Khan” by Vsevolod Pudovkin T. V. Zvereva<i>Day Stars</i> and <i>Pervorossiisk</i> by Olga Berggolts in the Light of Poetic Cinematograph F. S. AndrosovaEagle Image in the Contemporary Movie Text (“Toyon Kyyl” by E. Novikov as a Case Study) A. V. Markov, O. V. Fedunina<i>Yorinda and Yoringel</i> by Bodo Fürneisen: Type of the Hero and Trial in Screen-Presented Fairy Tale
