Issue 2, 2025 Yuri Nikolaevich Chumakov’s Last Notebook [Untranslated] Elena G. BasalaevaModern Olfactory as an Object of Interdisciplinary Research Mikhail Ya. DymarskyChto ni slovo, to zoloto: About one Construction of Interpretive Syntax Tatiana A. TripolskayaVerbs of Motion in the Metaphorical Emotive Meaning: Multidirectional Evaluation of the Event by the Participants of the Situation Natalia V. KozlovskayaNew Words and Meanings Reflected in Poetic Quotes (On the Contextual Component of the “Dictionary of the Russian Language” Edited by N. S. Derzhavin) Marina V. ShpilmanA Parody Text as a Way to Realize the Linguistic and Creative Potential of a Linguistic Personality (Based on Literary Parodies by L. Filatov) Marina A. Lappo; Chen Shan The ‘Actor Interview’ Subgenre: Dynamic and Interpretive Aspects Natalya A. Muratova, Galina A. Zhilicheva Reinterpretation of M. Bulgakov’s Cine Optics in the Script by S. Bodrov Jr. and in A. Balabanov’s Film “Morphine” Valery Z. DemyankovOn Individual Uniqueness and Epistemic Warrants of Discourse: Linguistic Pragmatics in the Works of Yury S. Stepanov Vladimir V. FeshchenkoTowards Poetic Pragmatics Elena E. Brazgovskaya On the Perfection of “Imperfect” Languages (Based on the Pages of Texts by Slavic-Speaking Authors) Igor E. KimGraphics and Paragraphemics: Where is the Boundary Between Linguistics and Paralinguistics of Writing Svetlana E. Kuzina, Maria S. BerendeevaThe Concept of ГЕНИЙ / GENIUS in the Discourse of Documentary Drama: The Linguistic and Cultural Aspect Aiiana A. Ozonova Comparative Constructions of Inequality in the Altai Language (In Comparison with Khakas) Vladimir K. VasilievTatiana Larina and Turgenev’s Heroes – Mental Space, Everyday Life, Appearance and Fate Anna A. BogoderovaThe Restaurant Locus in the Prose of Shanghai Émigrés of the 1920s and 1940s Olga E. Rubinchik“...Passed Me the Highest Orders...”: Akhmatova’s Note with Instructions to Nika Glen Valerij V. MaroshiTowards the Wind: Northeast and Northeast Wind in the Dynamics of the Russian Frontier Igor V. Silantev Lyrical Plot Formation in Modern Short Prose Natalia G. BraginaNew Poetic Genres of Online Humor: The Russian Publik “I See Rhymes”
