Institute of Philology of the Siberian Branch of Russian Academy of Sciences
ISSN 2307–1753 [16+]
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Critique and Semiotics
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for specialists in philology and semiotics
DOI: 10.25205/2307-1737
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Kritika i Semiotika (Critique and Semiotics)
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Article

Name: Metaphor of a Train in the Context of Film Poetics of Russian Literature of the 20th – 21st Centuries

Authors: Natalia A. Muratova, Galina A. Zhilicheva

Novosibirsk State Pedagogical University, Novosibirsk, Russian Federation

Issue 1, 2023Pages 171-189
UDK: 82.0:82-2DOI: 10.25205/2307-1753-2023-1-171-189

Abstract:

Based on the screenplays by A. Platonov, Vs. Ivanov, A. Mindadze, F. Gorenstein and A. Konchalovsky, this article reviews the stages of formation of the train movement metaphor. In the 1920s and 1930s, the artistic depiction of trains was influenced by the ideological cliché of the “locomotive of the revolution”. However, the unique poetics of A. Platonov and Vs. Ivanov represent the train in an original way: as an animated being, a centauric body. In the screenplays of the 2nd half of the 20th century, trains can be likened to a person, consciousness, a work of art, actualizing its metaphysical and metapoetic essence. In contemporary literature, the train is associated with the image of the processes of consciousness and the unconscious, the movement of the train is likened to the movement of discourse. Based on the novels by V. Pelevin, E. Vodolazkin, D. Danilov, this article analyzes the functions of these metaphors. The train remains a sign that manifests the essence of film poetics (the movement of frames), but instead of an object of the referential-eventful intrigue, it becomes a part of the intrigue of interpretation, or, in other words actualizes the processes of perception and understanding of the individual and the world.

Keywords: metaphor, train movement, intermediality, screenplay, contemporary novel

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