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Critique and Semiotics
Digital network scientific journal for specialists in philology and semiotics |
DOI: 10.25205/2307-1737 Roskomnadzor certificate number Эл № ФС 77-84784 | |
Kritika i Semiotika (Critique and Semiotics) | |
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ArticleName: The plot of the film «S.V.D.» as realization of the formal method Authors: S.A. Ogudov Novosibirsk State Pedagogical University
Abstract: The article is devoted to investigation of projective strategy of for-mal school in cinematography. The theorized on the base of the futuristic poetry and some texts of Russian literature of XIX century the principle of constructive realiza-tion, which presents itself the determination of the plot by means of language facts, was creatively used by Yu. N. Tynyanov during his work on the film «S.V.D.» The inscription on the ring of adventurer Medox changes its meaning for many times, forming up the plot, which adapted the historical fabula of Chernigovsky regiment’s rebellion. The attention to this aspect of the film’s poetics corresponds to the formal-istic conception about interaction of fabula and plot in dynamic model of composi-tion and particularly to the role of repetition in creation of parallelism figure. The plot’s specificity allow us to correlate this film with the sequence of typical for for-malism literary texts. Keywords: formalism, cinema, constructive realization, projective approach, plot, futurism Bibliography: Butovsky J.L. Andrey Moskvin, kinooperator. SPb., 2000. Vinogradov V.V. Naturalistichesky grotesk: suzhet i compositsia povesti Gogola «Nos» // Poetica russkoy literatury: Izbrannye trudy. M., 1976. S. 5-44. Dobin E.S. Kozintsev i Trauberg. L.; M., 1963. Lotman Y.M., Tsivian Y.G. S.V.D.: zhanr melodrammy i istoria // Tynyanovsky sbornik. Pervye Tynyanovskie chtenia. Riga, 1984. S. 46-78. Maklakova N.V. «Parallelism» i «poeticheskaja funkcia» R. Jakobsona v teorii povtora // Izv. Ros. gos. ped. un – ta im. A.I. Herzena. SPb., 2010. S. 145-153. Nedobrovo V.V. Soyuz Velikogo Dela // Zhisn iskusstva. L., 1927. № 36. S. 9. Nedobrovo V.V. FEKS: Grigory Kozintsev, Leonid Trauberg. M.; L., 1928. Selesniova T.F. Kinomysl 1920-yh godov. L., 1972.Sepman I.V. Tynyanov –scenarist // Iz istorii «Lenfilma». L., 1973. Vyp. 3. S. 51-76. Tynyanov Y.N. Ob osnovah kino // Poetica. Istoria literatury. Kino. M., 1977. S. 326-345. Tynyanov Y.N. O feksah // Poetica. Istoria literatury. Kino. M., 1977. S. 346-348. Hansen-Löve O.A. Russky formalism: metodologicheskaya reconstrukcia na osnove printsipa ostranenia. M., 2001. Chudakova M.O. Kommentary k statie Y.N.Tynyanova «O scenarii» // Poetica. Istoria literatury. Kino. M., 1977. S.550-552. Shklovsky V.B. Literatura i kinematograf. Berlin, 1923. Shklovsky V.B. Kak pisat csenarii. M.; L., 1931. Epstein M.N. Znak probela. O buduschem gumanitarnyh nauk. M., 2004. Jakobson R.O. Noveyshaya russkaya poesia. Nabrosok pervy: Podstupy k Khlebnikovu. Praha, 1921. [elektronny resurs: http://philologos.narod.ru/ clas-sics/jakobson-nrp.htm]. |
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