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Article

Name: On the poetics of scientific text of Yu. Tynyanov

Authors: E.P. Berezhnaya

State Public Scientific and Technical Library, Siberian Branch of the Russian Academy of Sciences

Issue 20, 2014Pages 149-168
UDK: 82.0 + 882.08DOI:

Abstract: Quite justified, and to some extent logical, while studying the Rus-sian formalism, is the idea of a close stylistic approaching of opojaz (Russian: Socie-ty for the Study of Poetic Language) texts to contemporary avant-garde and Acmeist literature, that resulted in the creation of unprecedented conglomerate of codepend-ent relationships between scientific character of literature and literariness of science in the creative work of formalists. Having become participants of the «drastic change of Art», followed by the revival of poetics in the first decade of the twentieth century, the opojaz scientists received the necessary conditions allowing them like to «turn over a new leaf» in interpreting their own original position in the intellectual context of the epoch and their newly created science about literature. This legitima-tion of «common cause» which they comprehend «from the very beginning» as «his-toric deal» (Eichenbaum), is impossible without clarifying the individual personal experience, without understanding of the mechanisms through which the representa-tives of opojaz «triumvirate» created their own analytics and their own descriptive language, «looking up to nobody but themselves» (Kaverin). After a brief formalist expansion, involving the idea of deformation and changes, philology turned to be a «different» science and Tynyanov in this respect made a special contribution. Tynyanov does not have any stylistically homogeneous texts, each of his articles claims the right to unlikeness and difference as a necessary requirement to become a «new vision» in science. Obvious here is the «excess of energy», which distin-guishes scientific prose of Tynyanov from mainly articulatory settings of Shklovsky and Eichenbaum. In the final article, devoted to Pushkin, Tynyanov wrote about «catastrophic evolution» of his work as of dynamic shifts of the form, defining dra-matic nature and tragic fatality of the poet. Tynianov’s creativity, interpreted in the context of Pushkin's poetics, allows to make actual a new problem field – the form energy, that is hard to see by means of letters, the attention to which extends a per-spective in the study of hidden ways of seeing reality.

Keywords: Russian formalism, «The problem of poetic language», Pushkin, free verse, text equivalents, energy of the form

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