Article

Name: Fragments and letters of 1910 year as prototext of Boris Pasternak’s cre-ation

Authors: I.V. Kuznetsov, S.V. Lyalyaev

Novosibirsk State Theatral Institute, Russian State University for Humanities

Abstract: B. Pasternak’s prosaic fragments and letters of 1910 year are consid-ered in this article in their thematic unity. Main images of these fragments, that have become plot invariants of Pasternak’s creation, are distinguished. The connection between invariants of 1910 year and Pasternak’s later lyrics and narratives have been shown. The Pasternak’s conception of creation as reality’s transfiguration is revealed. The Pasternak’s own thesaurus of 1910s which was used by him to denote architectonic moments of a creative act has been analyzed. The philosophical and world-visional basis of Pasternak’s poetics and connection between his views and contemporary intellectual context have been pointed out. A notion of «prototext» is introduced to designate notes and fragments of 1910 as a whole system. The obser-vations which have been made in this article make it possible to understand pro-foundly an integrity of Pasternak’s creative biography.

Keywords: prototext, neosincretism, plot invariants, creative act, transfigura-tion of reality

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