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Critique and Semiotics
Digital network scientific journal for specialists in philology and semiotics |
DOI: 10.25205/2307-1737 Roskomnadzor certificate number Эл № ФС 77-84784 | |
Kritika i Semiotika (Critique and Semiotics) | |
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ArticleName: talin’s Death and the Metaphor of the State’s Disease in “Everything Flows…” by Vasily Grossman Authors: Maurizia Calusio Università Cattolica del Sacro Cuore, Milano, Italia
Abstract: The article examines some aspects of Vasily Grossman’s evolution as a writer through the analysis of two previously unstudied versions of the novel Everything Flows…, the novel on which Grossman worked on during the last years of his life (1955–1964) and which was published in Russia only in the Perestroika years. The study of the two surviving autographs of the text contributes to the understanding of how and when the Soviet Grossman became the ‘dissident’ Grossman who could only be published posthumously. Grossman’s evolution as a writer is examined through the analysis of some literary devices (metaphor, repetition, violation of Soviet taboo) and themes (Stalin’s illness and death, the illness of the state). Keywords: Vasily Grossman, Everything Flows, textual criticism Bibliography: Berzer A. Proshchanie. Lipkin S. Zhizn' i sud'ba Vasiliya Grossmana. In: Berzer A. Proshchanie. М., 1990, pp. 121–270. (in Russ.) Calusio М. Shtrikhi k portretu sovetskogo prisposoblentsa: Nikolay Andree-vich iz povesti V. Grossmana “Vse techet...”. In: Tripolskaya T. A. (ed.). Yazykovaya lichnost' v zerkale interpretatsionnykh issledovaniy. Novosibirsk, 2021, pp. 66–87. (in Russ.) Calusiо М. Vasiliy Grossman i pervyy opyt khudozhestvennogo issledovaniya Gulaga (O povesti “Vse techet…”). L’analisi linguistica e letteraria, 2017, no. 2, pp. 175–186. (in Russ.) Etkind E. Sovetskie tabu. Sintaksis, 1981, no. 9, pp. 3–20. (in Russ.) Garrard J. The Original Manuscript of Forever Flowing: Grossman’s Autopsy of the New Soviet Man. The Slavic and East European Journal, 1994, no. 2, pp. 271–289. Geller M. Kontsentratsionnyy mir i sovetskaya literatura. London, 1974, 352 p. (in Russ.) Ghini G. Judas forgiven. Vasily Grossman’s last Meditation on Guilt. In: Calusio M., Krasnikova A., Tosco P. (comp.) Grossmanovskiy sbornik. Nasledie sovremennogo klassika. Milan, 2016, pp. 363–376. (in Russ.) Ghini G. Еverything flows but Ivan Grigorevich stands still: Grossman, Heraclitus, and the Prodigal Son. In: Anna Bonola and Giovanni Maddalena (eds.). Vasily Grossman. A Writer’s Freedom. London, Chicago, McGill-Queen’s Uni. Press, 2018, pp. 79–94. Krasnikova А. Vzglyad – vrach – vrag. Chastotnye slovari i evolyutsiya yazyka i khudozhestvennogo mira “Vse techet…” Vasiliya Grossmana. In: Tripolskaya T. A. (ed.). Yazykovaya lichnost' v zerkale interpretatsionnykh issledovaniy. Novosibirsk, 2021, pp. 192–217. (in Russ.) Markish S. Le Cas Grossman. Paris, Julliard, L’Age d’Homme, 1983. Popoff A. Vasily Grossman and the Soviet Century. New Haven, London, Yale Uni. Press, 2019. |
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