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Critique and Semiotics
Digital network scientific journal for specialists in philology and semiotics |
DOI: 10.25205/2307-1737 Roskomnadzor certificate number Эл № ФС 77-84784 | |
Kritika i Semiotika (Critique and Semiotics) | |
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ArticleName: The OsumBez Partnership: Principles of New Realism Authors: Vladimir G. Bogomyakov, German M. Preobrazhensky 2 Tyumen State University, Tyumen, Russian Federation
Abstract: The article is devoted to the analysis of the activity of the OsumBez art association. It examines the ethical and aesthetic principles of the association, as set forth in the “Manifesto of the Insane Madmen”. The conclusion is made that the poetry of the representatives of the “Osumashchestvennye Madmen” comradeship can be defined as one of the modern forms of realism. In the poetry of the OsumBez we see trust in the world, in language, which, however, does not lead to empty naturalism, but involves subjectivity and psychologism. The poetry of the Osumbezes demonstrates attention to the details of “ordinary life” and avoids literary-centrism and games of meaningless mysticism. The principle of realism in the Osumbez poetry is firmly connected to the poetics of the city, its landscapes and inhabitants. The specificity of the urban environment and the specific practices of urban communities are reflected in the poetics of this art association. The modern city is the world in which the characters of the Osumbez poetry live and create. It is possible to talk about the Osumbez romanticism, which, however, does not reach the romantic cult of the self. Keywords: OsumBez, realism, materialism, marginality, elitism, ethical principles, aesthetic principles, stylistic environments, urban identities Bibliography: Epstein M. N. Literaturnye dvizheniya. Metarealizm. Kontseptualizm. Ar'ergard [Literary movements. Metarealism. Conceptualism. Rearguard]. In: Ep-stein M. L. Postmodern v russkoy literature [Postmodern in Russian Literature]. Moscow, Vysshaya shkola, 2005, pp. 127–196. (in Russ.) Geide M. Dorechevoe [Pre-speech]. Znanie – sila [Knowledge is power], 2007, no. 4, pp. 96–98. (in Russ.) Golynko-Volfson D. Poeziya zakrytogo dostupa: tezisy k ob"ektivatsii poeticheskogo obraza [Closed access poetry: theses to the objectification of the poetic image]. Translit: literaturno-teoreticheskiy zhurnal [Translit: literary and theoretical journal], 2017, iss. 19, pp. 15–24. (in Russ.) Khlebnikov V. Nasha osnova [Our foundation]. In: Khlebnikov V. Tvoreniya. Moscow, Sovetskiy pisatel', 1986, pp. 624–632. (in Russ.) Khlopotnikova V. N. Minimalizm: “Iskusstvo pervichnykh struktur” [The Art of Primary Structures] Izvestiya of Hertsen Russian State Pedagogical Uni., 2009, iss. 118, pp. 132–136. (in Russ.) Kovalev P. A. Minimalizm v poezii russkogo postmodernizma [Minimalism in the Poetry of Russian Postmodernism]. Uchenye zapiski of Orel State Uni., 2009, no. 3, pp. 123–128. (in Russ.) Kruchenykh A. Kukish poshlyakam [Kukish to the Useless]. Moscow, Gileya, 1992, 134 p. (in Russ.) Latur B. Gde prizemlit'sya? Opyt politicheskoy orientatsii [Down to Earth: Politics in the New Climatic Regime]. St. Petersburg, European Uni. in St. Pe-tersburg Press, 2019, 202 p. (in Russ.) Lesin E. Pravda zhizni v ee polnote [The Truth of Life in its completeness] NG-ExLibris, 2 June 2005. (in Russ.) URL: https://www.ng.ru/ng_exlibris/ 2005-06-02/1_pravda.html Leiderman N., Lipovetsky M. Zhizn' posle smerti, ili Novye svedeniya o realizme [Life after Death, or New Information about Realism]. Novy mir [New World], 1993, no. 7, pp. 233–252. (in Russ.) Malevich K. Unovis. In: Malevich K. Sochineniya. In 5 vols. Moscow, Gileya, 1995, vol. 1, pp. 232–235. (in Russ.) Mit'ki. St. Petersburg, Kanon, 1999, 288 p. (in Russ.) Rodionov A. Stikhi iz dnevnika [Poems from the diary]. Druzhba narodov, 2017, vol. 2, pp. 118–121. (in Russ.) Zimbuli A. E. Dialog etiki i estetiki [Dialogue of Ethics and Aesthetics]. In: Dialog v obrazovanii. Sbornik materialov konferentsii. St. Petersburg, 2002, iss. 22, pp. 25–35. (Series: Symposium) (in Russ.) |
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